¶ … Grimm and Disney approached the Cinderella story. Inherent in those differences are very concepts of social construction of knowledge as well as necessary concessions to their respective time periods. Grimm's treatment is a reflection of medieval influences and an emotionally sensitive protagonist who shares a loving relationship with her father and symbiosis and harmony with the natural world. By contrast, Disney's Cinderella presents the protagonist as a tortured soul. Meanwhile, the thematic influences cater to modern sensibilities in the absence of the harsh medieval realities of punishment and physical mutilation. The plots also reflect significant changes as between the two treatments. In that respect, the contemporary version of the story also had the benefit of multiple adaptations to incorporate modern audience sensibilities. Disney introduces an entirely new character to replace the wench by the fire. The...
Grimm employed subtly whereas Disney exploited visual media, such as by distinguishing Cinderella from her sisters in their physical appearance rather than by the beauty in their hearts in Grimm's style. Meanwhile, Grimm's original version would have been regarded as morbid by later film audiences, whether in connection with the emphasis on the death of Cinderella's mother and on harsh consequences eventually suffered by her sisters. Grimm's original and the subsequent versions produced in the same time period also reflected links to geopolitical conflicts of the era as well as the general preoccupation with the theme of goodness vs. evil inherent in the psyche of most people within predominantly Christian society.
Cinderella / Transformation Stories Variants on the "Cinderella" Story The Cinderella story is one that is much loved throughout the world; more than seven hundred versions exist. Many of these versions have been told for centuries. The story has universal appeal because of specific elements that are part of human nature. It is a story in which good triumphs over evil. It is a story that shows that dreams really can come
Cinderella archetype is manifest in characters like Mathilde Loisel in Guy De Maupassant's "The Necklace," Cinderella in Charles Perault's "Cinderella," Wassilissa in Russian folktale "The Beautiful Wassilissa," and Princess Ann in the 1953 film Roman Holiday. Guy De Maupassant's short story "The Necklace" is about a working class woman, Mathilde, who longs to be wealthy but learns a hard lesson about the illusion of glamor. Perrault's Cinderella is about a
Cinderella Perrault's "Cinderella" and the American Dream The Cinderella story has existed since the age of antiquity and has been told in many different cultures in as many different fashions. Yet, in America, one version stands out above the rest. Charles Perrault's version, popularized by Disney in 1950, became the standard, sentimental (Disneyfied) "some day my Prince will come" spawning fairy tale that became the classic progenitor of other animated features like
Cinderella: Or, On the Virtues of Shutting Up and Sitting Down There are many ways of critiquing folktales. However, they all agree on one central point: the tale is told to children so that they will behave. In less coercive terms, one might say the story is that so that the child will grow up to be a functional part of society. Either way, it boils down to the same thing.
Cinderella The Salvation of Cinderella: Moral Character and Virtue Two entirely different versions of the same basic theme show that gender norms and social roles remain relatively constant and consistent across cultures. The Disney version of the "Cinderella" story, which was originally a European folk tale, is about a girl who lives with her mean old stepmother and step sisters, who work Cinderella like a slave and treat her terribly. Cinderella eventually
The second significant difference between the French and Germany version of Cinderella is the tone used by the authors. Perrault provides a sense of triumph for Cinderella, a caring guardian in the fairy godmother and a positive moral at the end of the story. The Brothers Grimm use grotesque descriptions to illustrate the evil of the stepmother and stepsisters. They force Cinderella to separate lentils while they attend the ball. They
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